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Both immediate and distant, First Man is a thrilling and frustrating ride that ultimately stands on its own in the pantheon of space-race films.

The only way we can truly describe this film is to imagine how the whole thing went down at an executive meeting at Warner Bros...

An earnest attempt at making a revisionist Western, French director Jacques Audiard's first English-language film just ends up feeling disjointed.

Yes, the film infamously features eyeball-searing scenes like ejaculating puppets, but I have to give credit where credit's due: The Happytime Murders made me actually snort with laughter several times, which no other movie has done this year.

Perfectly adequate and pleasant but not nearly as exceptional as its central figure, this biopic of pioneering Supreme Court Justice Ruth Bader Ginsburg ticks all the appropriate boxes but feels more like a really solid made-for-TV movie than a rousing cinematic celebration.

Weirdly, the dual-persona theme of this latest big-screen Marvel outing mirrors the execution of the film itself, which flips awkwardly back and forth between a few different cinematic “personalities.” The result is a bit of an erratic, unsatisfying mess that’s somewhat salvaged by its lead actor... but which will likely confuse or confound moviegoers familiar with the character’s comic-book canon.

Because in the comics, Venom is a villain (right?). But in director Ruben Fleischer’s adaptation he’s a rascally, smart-ass antihero. Wait. What?

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