| AMELIE Le fabuleux destin d'Amélie Poulain |
2001 - France
Director: Jean-Pierre Jeunet imes New Roman; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">- Reviewed by Linda
The first portion of the film introduces us to Amelie, starting literally at conception. She is an adorable child, but impish enough to wreak revenge on a neighbor that traumatizes her with teasing lies. When the story-telling teeters on the brink of becoming sticky-sweet, we are reminded that it is indeed a Jean-Pierre Jeunet film (City of Lost Children) when little Amelie's mom is abruptly squashed by a disgruntled Quebecois tourist jumping off the Notre Dame. Flash forward to Amelie as an adult (Tautou), a sweet young woman who lives alone and works at a neighborhood café with a passel of goofy regulars. Without going into too much detail (half the fun is watching plot tangents unfold), the film at this point starts to mirror Jane Austen's Emma (or Clueless, for you kids out there). Amelie becomes fixated on improving other people's lives through coy and discreet interventions, while ignoring her own pursuit of potential happiness with a nice young man named Nico (Mathieu Kassovitz), whom she seems obviously destined to be with. The whole tableau is painted with slight exaggerations, luminous colors, some imaginary sequences, and dare I say "whimsy", to make Amelie much more unashamedly magical and fantasy-like than any adult film we've seen in quite awhileand it works. Though it is ultimately a light confectionpleasing to the eye and the palate without being too deepAmelie is a charmer. It is funny and sweet; romantic and silly... and because it IS a Jeunet film, just quirky enough to make the whole concoction seem refreshing and new. |
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