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Fifty Shades of Grey may not be the sort of book most people think of as transformative and inspiring, but after forty years of friendship and monthly book discussions, it's just enough to shake things up for the members of Book Club.

What happens when you’re an exhausted, stressed-out mother of three, who feels like you’ve reached the end of your rope as far as coping mechanisms go, and a saintly young woman floats into your life to help you save yourself?

That’s the premise of the latest film from the filmmaking team of director Jason Reitman and Oscar-winning screenwriter Diablo Cody. And the result isn’t actually a sequel to Young Adult but does kind of feel a bit like its second-cousin.

If you believe you are awesome and hot, you can BE awesome and hot.

Now, I like big dumb movies. In fact, I really liked director Brad Peyton's previous movie San Andreas (I know, right?). But boy, this movie is big and dumb in a bad way.

On a high level, this is an engaging political thriller, but digging a little deeper, do we really need another American interpretation of Mideast violence?

One of the tried-and-true clichés of horror movies is the silence before a scare. When it is too quiet, you just know that something bad is going to happen: a demon pulls you under the bed, a bus flattens you on the street, a clown leaps on you and eats your face. A Quiet Place turns that formula on its head, to extreme unnerving effect. What if the entire movie is basically silent, and if you simply make a sound, you're dead?

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