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Now, I like big dumb movies. In fact, I really liked director Brad Peyton's previous movie San Andreas (I know, right?). But boy, this movie is big and dumb in a bad way.

On a high level, this is an engaging political thriller, but digging a little deeper, do we really need another American interpretation of Mideast violence?

One of the tried-and-true clichés of horror movies is the silence before a scare. When it is too quiet, you just know that something bad is going to happen: a demon pulls you under the bed, a bus flattens you on the street, a clown leaps on you and eats your face. A Quiet Place turns that formula on its head, to extreme unnerving effect. What if the entire movie is basically silent, and if you simply make a sound, you're dead?

In this pop-culture mash of a virtual reality future with an idealized fantasy of the innocent 1980s, Steven Spielberg has made his most unabashedly fun movie in years.

In an era of new, exciting female action heroes, Tomb Raider is still kind of a dud.

If John Hughes directed a coming-out movie, it would be Love, Simon.

Infused with distinct Hughes-ian touches – the romantically conflicted lead character, the synthesized soundtrack, the high-school archetypes, the loving parents, the suburban setting – and based on Becky Albertalli’s novel Simon vs. the Homo Sapiens Agenda, it’s heartfelt, charming and an unabashed feel-good love story destined to have you smiling as you exit the theater.

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