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Writer-director Guillermo del Toro’s latest fantastical drama is a bit like a hybrid of Amelie and The Creature from the Black Lagoon – it’s got more than its share of whimsy, gorgeous art direction and stunning cinematography, but is also punctuated by a handful of decidedly darker elements that make it clear this romantic fairy tale has some horror roots and is not for kids.

I don't know about you, but I'm tired of ironic horror (a la Kevin Williamson's resume of I Know I Saw You Screaming Last Summer teen flicks). For some reason, it has fallen upon the hot young directors of Spain to breathe a breath of fresh air into the horror movie genre. First we got the surprisingly creepy ghost story The Others from Alejandro Amenábar, and now comes Guillermo del Toro's The Devil's Backbone.

The Armenian genocide finally gets the Hollywood treatment with this earnest and ultimately unsatisfying romantic epic.

"I did not hit her. It's not true. It's bullshit. I did not hit her. I did not.... Oh, hai Mark!"

Farewell Ferris Wheel shines a light on a never-ending cycle one might cynically call mutually exploitative.

A kind of head scratching mish-mash of styles of two very different filmmakers (Zack Snyder, who started the film, and Joss Whedon, who finished it), Justice League is mildly entertaining, and in the overheard words of another moviegoer, "not as bad as the last one."

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