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My friend Dan has always said that chickens are inherently funny, just because they're chickens. And I've always thought that the word "pie" could be a punchline in itself... I mean, c'mon, when you physically say the word, your mouth ends up in a smile! So you can imagine the comic brilliance of a scene where one of the hens from Chicken Run, with eyes perfectly round, and chicken lips (yes, chicken lips) parted in astonishment says in a British accent, "But I don't want to be a pie!"

Undeniably gorgeous, Blade Runner 2049 suffers from the slow, deliberate pace of the original... but with less of a payoff.

Like a rambling, satisfying novel, Hostiles is a beautiful, brutally sad portrayal of the violence that shaped the American West.

Skating a wobbly thin line between tragedy and dark comedy, I, Tonya succeeds in one thing: humanizing one of the most outrageous villains of modern sports.

It should come as no surprise that the star of writer-director Paul Thomas Anderson’s period drama about a finicky dressmaker in 1950s London is... the fashion. And, I suppose, the art direction. Yes, yes, this is rumored to be Daniel Day-Lewis’ final film before a self-imposed retirement, so all eyes should theoretically be on him, but (for me) the movie is actually more a case of the clothes making the man and the movie.

And while Phantom Thread is certainly visually sumptuous, its storytelling is comparatively wanting, and its lead character decidedly unsympathetic.

Though All the Money in the World comes with its own sensational backstage drama, the cinematic result is is a gripping thriller led by the terrific Michelle Williams.

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