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Toronto International Film Festival Diary 2004

September 9-18, 2004


Vickie

9-13-2004

You know, those Moviegoing Fates have a really twisted sense of humor. Why, just yesterday, at the end of my diary entry, I joked that they were cackling in anticipation of messing around with my fest-going... and today, they lay the cinematic smackdown on me.

Maggie Gyllenhaal! See, no one told me that Maggie Gyllenhaal was in town.

That’s right, people, MAGGIE GYLLENHAAL! *My* favorite Maggie! No, she doesn’t have a film in the festival, but her boyfriend, Peter Sarsgaard does! DOH!!! I even remember noting that when I first received my program book and saw his name in the cast for Kinsey. I remember thinking, for a brief moment, what if Maggie comes with him?!?!?! And there she was, strolling into its premiere arm in arm with her beloved. How do I know this? Because the two of them popped onscreen for a brief second during some festival coverage I was watching earlier tonight. I nearly spit my bagel across the room and actually did (for real) say aloud, “It’s MAGGIE!”

But, you knowwwwwwwww, I didn’t know. I had no idea she was here. (Note the use of the word “was,” not “is.” Was.) The footage I saw was from last night, so chances are Maggie and company have since hit the road. Now, you may be saying to yourself, “But Vickie, what does this have to do with the Moviegoing Fates? Surely *they* aren’t responsible.”

DECOY Maggie (Cheung)! Oh, but they are. For, you see, they constructed such elaborate distractions that there was no way I would possibly catch wind of my Maggie’s presence. First, they made sure that she wouldn’t have any films screening here this year. Fine. In cahoots with the notoriously nefarious fest organizers. Not surprising. Then, they ensured that Linda’s Maggie (Cheung), would have a film here, thereby sending me on a mission... to find the DECOY Maggie. So, while I was trotting around town, super-alert with eyes peeled and camera at the ready for Maggie-frickin’-Cheung (sorry, Linda), Maggie Gyllenhaal was probably sitting alone in her hotel room, staring wistfully out the window and wishing she had something or someone to occupy her time. “If only Vickie knew I was here,” she probably thought to herself. “She could have shown me around town or played a game of Scrabble with me or even talked to me about that freaky-ass French movie about those little girls in a forest. Oh well.... She probably even had a single tear trickle down her cheek at that point.

But no. The Fates would not have it. And, just to make absolutely certain that their sabotage worked, they even threw in the supremely distracting possibility that Sandra Bullock (!) would magically appear. That was genius on their part, I must say. They made sure I had to work for a ticket to Crash, then planted that little nanosecond glimpse of SB on the news (which they knew I’d be watching) to pique my excitement and cloud whatever microscopic Gyllenhaal thoughts might have been left in my head.

So, there you have it. The irony is kind of sickeningly funny. I chase Maggie Cheung while the Maggie I really want to see drifts in and out of town, completely unnoticed until after she’s already (probably) left. That just adds the final sting to the whole perfectly executed plan. Damned Fates. I poop on you!

The Machinist Whatever ill will the Fates had/have for me also appeared first thing this morning at my screening of The Machinist, the dark, weird and creepy new thriller (?) starring a horrifically emaciated Christian Bale as an insomniac. Seriously, his physical transformation for this film is absolutely astounding. I have no idea how much weight he lost, but he is literally a walking skeleton. You can see every single one of his bones, there’s zero fat or muscle, and his spine protrudes out of his back in a grotesque way. He is virtually unrecognizable.

Anyway, about 10 minutes into the film, the picture jumped, then jerked around, then stopped and the image melted away into a blinding white light. (You know, when the film is burned through by the light of the projector.) The lights came up and some festival volunteer (oh no) announced that the film would be back up and running in 10 minutes. Yeah right, I thought to myself. There’s no way this is gonna be a 10-minute fix.

And it wasn’t. The film started up again after 35 (!) minutes... a HUGE increment of time during a festival where one is often forced to sprint across town when movies are on time, let alone delayed by more than half-an-hour.

Ray Sprint is exactly what I had to do in order to get to my second screening, the Ray Charles biopic, Ray. The movie stars Jamie Foxx in the title role and follows Charles’ career in the 1950s and ‘60s. It also covers his various relationships with women, including his wife (Kerry Washington), back-up singers turned mistresses (Aunjanue Ellis, Regina King) and his mother (Sharon Warren). It had a hefty running time of more than two hours and 30 minutes, and by the time it was over my butt was seriously sore (it still is now!) from sitting in the uncomfortable Ryerson Theatre seats. The Ryerson is one of the new venue additions this year and is cursed with not only having hard seats, but with having the most useless set of women’s restrooms. FOUR stalls! For a theater that seats 1200 people!

My last film of the day was an indie drama from the U.S. called On the Outs. The film tracks the intersecting lives of three teenage girls (Anny Mariano, Paola Mendoza, Judy Marte) from the same Jersey City neighborhood as they cross paths in a juvenile detention center. Much of the dialogue, we were informed at the post-film Q&A, was improvised, and that added an extra visceral level of authenticity to the onscreen drama. It was a somewhat uneven film, with Marte (last seen in Raising Victor Vargas) turning in a much stronger and more memorable performance (in my opinion) than her co-stars.

And that was that. I will no longer tempt the Moviegoing Fates by mentioning their cackling, and will instead say that tomorrow promises to be a challenge. I have an average of about 10-15 minutes of between-film food-procurement time (excluding the theater to theater travel time, and the standing-in-line time) between each of my four scheduled movies. I suspect the nutritional value of whatever I consume will suffer as a result.

I am afeared.

:-/

Roger Ebert Sightings: Roger who?

Celebrity Sightings: Can I count director Taylor Hackford, who showed for Ray? And I guess Judy Marte counts, too, since I knew who she was before her film tonight.

Line Buzz: Good word-of-mouth on a South Korean film called 3-Iron, as well as Turtles Can Fly, a drama from Iraq and Iran about kids who collect land mines.




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