9-9-2002: DAY FOUR
You know, I'm not sure who decided that *all* the festival volunteers
would be issued official "Festival Volunteer" T-shirts in the same
god-awful size (evidently, XXXL), but I think it's kind of cruel.
Seriously, you have hundreds of people, freely giving of their time and
energy, and they're "rewarded" by being forced to wear these gigantic
tents that, quite honestly, are flattering on no one. One-size-fits-all
is just a nice way of saying "shirts so huge they'll fit anybody."
My day started a little later than usual, with my first screening
kicking off at noon. It was Secretary, the strangely twisted, comic,
S&M love story between a nebbish lawyer (James Spader) and his meek
secretary (Maggie Gyllenhaal, who was amazing!!). The movie kicked ass,
literally and figuratively, and posed a unique question to its
audience: how do you define affection, and who is anyone to judge the
love and affection between anyone else... regardless of the form it
takes? The Q&A following the film featured only its director, Steven
Shainberg, who seemed a little cocky, like maybe the buzz and hype
surrounding his film is starting to go to his head a smidge.
I followed that with The Last Great Wilderness, which bears the
distinction of being The First Un-Great Movie I Didn't Like at this
year's fest. I still don't really know what it was about. There were
two guys (one who's running from some other guys and one who's going to
burn down his ex's house) and their car runs out of gas in the middle
of nowhere. They seek refuge at a small, isolated country inn where the
owners and guests are all kind of weird and mysterious and do things
like take pictures of you while you're sleeping. There's also a ghost
with long blond hair, a guy who stalks deer, a funeral that requires
the men dress as women, and vice versa, and a delightful eye-gouging
scene. My attention span shrunk as the film wore on, and I don't even
remember how it ended. Needless to say, I didn't bother to stay for the
Q&A.
It was, however, at that screening where I learned another valuable
festival tip! If you want to guarantee you'll have an empty, "buffer"
seat beside you for a film, just make sure the person on the other side
of that buffer seat is an irritating wannabe Hollywood player who's
talking loudly on his or her cell phone for all the world to hear.
Works like a charm! No one, and I mean NO ONE, wants to voluntarily
plunk down next to that kind of display of self-important lunacy.
My final film of the day was Stevie, a documentary from Steve James,
who was one of the directors of Hoop Dreams. Steve was a Big Brother to
a troubled boy in southern Illinois in the early 1980s and decided to
find out what happened to his one-time Little Brother. The result is a
very sombre, bleak and rather sad film about an abused child who fell
through the social cracks and has lived a rather angry, violent and
crime-riddled life. The theater was only about 2/3 full, which is odd
for a nighttime screening and kind of a shame, since the story was so
powerful. Maybe they'll catch it on PBS some day.
Then I decided to take an end-of-the-day stroll through the twelve or
so city blocks that make up the core of the festival activities. It was
just after 9 pm by then, and the streets were all a'buzz. It's hard to
convey exactly what Toronto is like during the festival to anyone who
isn't here to witness it in person. Words don't do it justice, and even
photos can't capture the energy, the vibe, the electricity that's in
the air. Everywhere you turn, you see people will plastic I.D. tags
around their necks, talking on cell phones and arranging meetings and
coordinating screenings and scheduling lunches. Limos and expensive
cars line the streets alongside promotional vehicles from the studios
and distributors (like Hummers painted to advertise upcoming movie
releases). People checking out other people becomes the new citywide
hobby, because everyone kind of looks like they might be someone who
could be famous or know someone famous or know how to spell the word
famous. Is that guy somebody? Who's she? Who's the couple in sunglasses
and hats who just darted into that ritzy store? And, truly, you never
know whom you might run into or spot. The air is thick with, well, smog
of late... but also cologne and perfume and expensive food being whipped
up at countless exclusive restaurants with umbrella-laden patios.
Flashbulbs go off left and right and crowds gather outside theaters and
hotels to see who's arriving, and more often than not they get an
eyeful of all kinds of colorful folk - famous and not. Tonight, there
was some kind of deafening display of motorcycle madness when a trio of
men on huge-ass Hogs with engines revving LOUDLY s-l-o-w-l-y made their
way through Yorkville (the most expensive area of Toronto and where I
was strolling with my Frappaccino). It was a sight, and sound, to
behold and at that moment I thought, "It's things like this that make
the festival such a blast."
I should also point out that earlier tonight marked the official world
premiere of the fabulous Moonlight Mile, and I am beside myself with
glee to report that Ellen Pompeo (my new favorite
soon-to-be-a-superstar actress, see review) is HERE. In Toronto.
Here!!! Good lord, I might run into her on the street somewhere! (Yes,
I really am a huge nerd.) In fact, the entire cast... all of 'em... came
to town. I am now anxiously awaiting the press-conference coverage for
the film, mentally preparing myself for the possibility that I may have
to track down the annoying moderator and smack him if he acts like a
jerk with the cast.
Okay, raise your hand if you're even still reading these entries
anymore.
;-)