| THE
CABINET OF DR. CALIGARI Das Kabinett des Doktor Caligari |
1920
– GermanyDirector: Robert Wiene - Reviewed by Eric
The Fucking Creepy Music made a huge difference. Unfortunately, having never seen the low-quality version, I probably have no idea how much of a difference the clean-up job made. The plot is necessarily elementary, involving a creepy old man who showcases his sleepwalking oddity, Cesare, at the local fair. By night, Cesare commits several murders and kidnaps a young woman. There are revelations about Cesare and the man who calls himself Dr. Caligari, and plot twists that pull the rug out from under us in terms of through whose eyes we thought we were being told the story. But, of course, the plot is not what makes this film so special. The fact that this film represents an era of filmmaking so different from today's would make for a longer and more thoughtful review if I had any sort of knowledge about that era, but I don't. All I can say for sure is that watching Caligari, you truly get a sense for how much of an influence it had on future filmmakers venturing into the same dark territory, crafting a reality based on our own but distorted to the point of perversion. Caligari's deep impact on Tim Burton in particular is immediately apparent; The sets are so deliriously twisted, it seems to have been constructed by someone who had never even heard of a right angle. The jerky, unevenly paced movements of the actors bring to mind the stop-motion phantasmagoria of his Nightmare Before Christmas, the haunted gait of Edward Scissorhands, the mysterious midnight killings of Sleepy Hollow. Caligari is a mesmerizing and deeply unsettling relic, as presented the way it was. I have no idea if most people are going to have the opportunity to, or even want to, experience Caligari the way I did, but it definitely qualified as a "Moviegoing Experience," which was new and exciting for me. |
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