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Where Have all the G-Rated Summer Movies Gone?The Princess Diaries wouldn't normally be thought of as a unique film, but in a season of ogres, apes and dinosaurs, it has something that no other big-studio release this summer can claim: a G rating. "It's disappointing," says David Walsh, founder of the National Institute on Media and the Family. "This is the time when families can go to the movies, while they're on vacation and things are a little more relaxed. It's really disappointing that studios are putting out so few films that are really completely family friendly."
The dearth of features sporting the least-restrictive rating is a matter of dollars, says Dan Klusmann, publisher of the theater-industry tip sheet Independent Marketing Edge. "Everybody would like to be on record of being supportive of G-rated films," he says. "But when it comes to putting money down and paying at the box office, the actual ballots they're casting that will enable more to be made, the typical family doesn't rush out when they see a G rating." Klusmann's theory played out last summer when four such features hit theaters. The result: one hit and three misses. Thomas and the Magic Railroad, based on the character popular with pre-schoolers, derailed right after leaving the station; Pokemon the Movie 2000 did a fast fade, much like the craze that spawned it; and audiences avoided the return of Fantasia 2000, after being a little more receptive of the Imax rollout earlier in the year. Only DreamWorks' Chicken Run managed to find success, flying the coop with $106.8 million and becoming one of the year's big hits.
Other movies that have scored in recent weeks include Atlantis: The Lost Empire, Cats & Dogs and Dr. Dolittle 2. Each of them came with the tag "Parental Guidance Suggested." "The PG gives parents the feeling that it's still fine for my kids, and yet it's not going to bore me to death," Klusmann says. Young adults and teens are important because among frequent moviegoers (those seeing a dozen or more a year), nearly seven out of every 10 tickets last year were bought by someone between the ages of 12 and 39, according to the MPAA. As Hollywood goes after those most reliable audiences, box-office tracker Paul Dergarabedian sees a shift in the types of movies produced. "There's a gravitation from the G films heading more into PG territory and the R-rated films heading backward into PG-13 territory," says Dergarabedian, president of Exhibitor Relations Co. Inc. "It's sort of interestingespecially in terms of G-rated fare, because there have been some huge successes, like The Lion King." That animated hitwhich earned $312.9 million, ranking it among the top 10 of all timewas one of several to come from Disney, as the company found a way to regularly attract both kids and adults in big numbers to the same movies. The string included Beauty and the Beast, Aladdin, Pocahontas, Toy Story, Hercules and Tarzan. "Obviously, we love G-rated movies," says Chuck Viane, the company's movie distribution chief. Still, he insists, there's no G-movie quota at Disney (the studio that released The Princess Diaries), and movies certainly aren't greenlighted based on the letter grade the MPAA might issue at the time it's completed. "A good movie is a good movie, regardless of the rating," Viane says. "Whether it's a G through an R, I don't believe that it's anything other than this: You make the movie you want to make, and whatever the rating is, it is." The MPAA uses an eight- to 13 member panel that views movies full time, then estimates what most parents would consider to be each film's appropriate rating. After a discussion and majority vote, a rating is bestowed. If a producer or distributor wishes, a rating can be appealed to another board, which consists of 14 to 18 members. A two-thirds vote is required to overturn the original rating. Interestingly, the number of G ratings issued by the board through June 30 match the number of Gs given the first six months in both 1999 and 2000. The difference appears to be fewer are finding their way into theaters. There's a way to change that trend, Walsh says. And that means a lot is riding on the success of The Princess Diaries, which stars Julie Andrews and is directed by Garry Marshall (Pretty Woman and Runaway Bride). "Hollywood is a very cyclical place," Walsh says. "My hope is this cycle will quickly end, and all we need are a couple of G-rated movies that will go gangbusters at the box office and then we'll get more of them. The producers always follow where they think the money is." - by Jerry Rice [August 5, 2001]Courtesy of The San Bernardino County Sun |
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