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The opening sequence of Assault on Precinct 13 is an assault on the senses. Let me say this: The handheld camera with grainy and contrasty cinematography, combined with MTV-style editing...
 
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Hollywood needs to be told that computer geeks very rarely look like Sandra Bullock (The Net), Ryan Phillippe (AntiTrust), or Angelina Jolie (Hackers). If these people worked in marketing, I...
 
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Poor Linda Fiorentino will never live down The Last Seduction. Hollywood loves to pigeonhole actresses: the second they have a breakthrough role, they may as well accept that they'll be...
 
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In the jargon of East Germany's Stasi police (the secret police), a "legend" was a false identity, created for people who needed to "disappear" into society. During the Cold War,...
 
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Few films have made me feel physically ill by the closing credits—The Silence of the Lambs and Monster are a couple that have that distinction. Now I can add The...
 
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Poland has a great cinematic tradition, so even so-so films like Amok are worth seeing, just to see the spin a Polish filmmaker might put on a story that is,...
 
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There is a moment where the audience figures out exactly what is going on in Eagle Eye, a thriller that goes not many interesting places, but goes there FAST. About...
 
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Transsiberian combines two things that rock my socks off: cold, wintery climes (in this case, Russia's Siberia) and trains (woo-woo!). There hasn't been a memorable train movie that I can...
 
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6.0
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Robert De Niro's The Good Shepherd is a cross between a bloated failure and a fascinating masterpiece. I'm not sure what went wrong when it was released (it could be...
 
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If you had to update and translate Rear Window for a 21st century teen audience, you could do a lot worse than Disturbia.
 
 
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