Written by Linda
March 01, 2009
Well, it's about time we had a goth road-trip movie! And kudos to director Todd Stephens (Edge of Seventeen) for once again having a master's touch at choosing the perfect soundtrack to accompany his characters. Oh, the joy of hearing Siouxsie Sioux over the opening credits as we are introduced to Gypsy (Sara Rue) and Clive (Kett Turton), two social outcasts in suburban Sandusky, Ohio! You can't help but feel for them as they turn their basement bedrooms into velvety goth caves—protective wombs against the land of lawn sprinklers and SUVs just outside their front doors.
Not only are Gypsy and Clive outcasts for being goths, but Gypsy is obsessed with 70s rock diva Stevie Nicks, and Clive thinks he might be gay. When they hear about a "Night of 1,000 Stevies" showcase at New York City's goth nightclub Mother, they hear destiny calling....
Roaring across Americana in their Smokey and the Bandit-esque black Trans Am, the pair encounter all sorts of characters (in the best road movie tradition), including a washed-out karaoke hostess (Karen Black!), and a hottie of an Amish runaway (Paulo Costanzo). Gypsy and Clive's friendship is tested, and tested again as they head towards their goal....
In the wrong hands, Gypsy 83 could have easily been a scoff-worthy depiction of a fringe group (remember all those laughable "grunge" and "slacker" flicks?). But director Stephens has obvious affection for these goths and never mocks their lifestyle.
The film also benefits from strong acting by the leads, making the audience care about them achieving their destinies. Especially notable is Kett Turton as Clive. Unlike his older friend Gypsy, 18-year-old Clive not only has things to figure out for himself, but he has a lot of growing up to do. His vulnerability combined with his jadedness are surprisingly believable, and you can understand Gypsy's mothering and protective attitude for her best friend.
Gypsy 83 is a love letter to the goth subculture, a big hug for those on the fringe of society, a winning and realistic portrayal of true friendship, and a surprising ode to the American Dream.
