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Director has time on his handsAn interview with Insomnia director Christopher Nolan
- by Jerry Rice
They first came with "Memento," last year's brilliant backwards-running mystery about a revenge-seeking amnesiac widower that earned Nolan an Oscar nomination for best screenplay. And now, "Insomnia" (available on home video and DVD), a crime caper that stars three Oscar winners: Al Pacino, Robin Williams and Hilary Swank. "With these two films, time was very important in terms of conveying the experience of the characters," Nolan says. "In the case of 'Memento,' where you're dealing with memory, obviously time plays a big part. In the case of 'Insomnia,' when you're dealing with mounting tension and the mounting exhaustion of a character, time, the ticking clock underneath events, obviously becomes very important.
Besides the murder investigation, Pacino and his partner (Martin Donovan) have taken up the case to get a respite from an Internal Affairs investigation of their actions in Los Angeles. Released in theaters Memorial Day weekend, the movie is based on the 1997 Norwegian film directed by Erik Skjoldbjaerg and starring Stellan Skarsgard ("Good Will Hunting") in the Pacino role. "They were different challenges, really," says the 32-year-old Nolan of 'Memento' and 'Insomnia.' "With every film that I take on, I'm looking for something that challenges me one way or another." For "Insomnia," the biggest difficulty was tackling something that was heavily character driven.
Nolan's work on 'Insomnia,' much like 'Memento' before it has received plenty of critical praise and even some awards talk. A Variety article in June touted 'Insomnia' as an early Oscar favorite in the best picture derby. Nolan, however, doesn't get too excited about that. "You don't make films for awards. That's not really the point," he says. "It's not something I worry about that much." What is on Nolan's mind is his next projecthe's writing a script about the reclusive Howard Hughesand that time element that keeps ticking through both of his signature films. "I don't know why particularly I'm drawn to things like that," he says. "Maybe because the process of making a film is the process of collapsing different periods of time into a two-hour format. It's a very interesting thing, so I quite like projects that embrace that."
THE DETAILS [Read Linda's Moviepie reviews of Insomnia and Memento.] Home | Currently Playing | For Rent | Links | "Get to know us!" ©2002
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